Looking at your Tonal Balance Control 2 window, frequency balance issues can quickly be addressed by considering the location of the white lines within the blue-green overlays. These decisions throw off the balance of the mix. If you’ve been mixing for hours on end, you may add more highs to the vocal than necessary, then turn up the levels of other instruments to compete. When mixing in a non-ideal setup, you may add too much low-end, muddying the kick and bass. When placed on the master output, it analyzes the frequency content of your entire mix, then compares it (in real-time) against a reference target, to shed light on the areas across the spectrum that need your attention. Is like having a second set of ears to double-check your mix. So be sure to use these plug-ins together to optimize your results. If there is too much noise and hum in your vocal, Nectar 3 Plus’s delays will smudge the contours of your mix. If you leave unnecessary clicks in a drum loop, you may trigger Neutron 3’s compressor to compress at the wrong time. Remember, the cleanliness of your audio impacts how your processing sounds with mixing tools like Neutron and Nectar 3 Plus. I typically use the standalone application to grab specific noises manually, and the Repair Assistant to get rid of issues that are consistent across a recording. There are a number of ways to get to work with RX-you can use individual modules in your DAW, edit by hand within the RX standalone application, or trust the Repair Assistant to search for and remove noises based on machine learning algorithms. You may actually want a little crackle from that 60s acapella, but just the right amount to convey warmth and not overwhelm the mix with spiky transients. RX gives you a cleaner mix, that’s for certain, but it also gives you more control over your sound. Clicks from a dry mouth? Crackles from old vinyl? Hum from your studio fan? Wind from an outdoor recording session? All this and more can be reduced or removed, depending on your needs and preferences.
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